Raised in Berlin, Sao Paulo and NYC I now live in Los Angeles. I'm a rocker mom, wife, art collector, culture vulture and founder of this digital enterprise. I take pictures for a living.
www.reggieworld.com

One
of my favorite American films around this time was MANHUNTER.
Michael Mann's masterpiece that really started William Petersen's
career. (CSI) When he finally showed up 20 years later on CSI, I
thought to myself its about fucking time. He was so great in this.
Truly one of the best serial killer movies ever. When the song, In-A-Gadda-Da-Vida by Iron Butterfly comes on in a murder scene where he rips a girls eyes out- you just want to scream. Highly recommend. Blue hoo: 80's livin in the 80's
I recently revisited some of my favorite 80's films and was inspired to write this post.
I call this the Blue period. Diva, Betty Blue and Subway. All made in the early 80's.
DIVA was directed by French genius filmmaker Jean-Jacques Beniex. The film was based on a novel written by Daniel Odier.
This thriller about two Parisian mobsters, an opera singer and her fan, and a very stylish Richard Bohringer who saves the day is really as contemporary today as it was visionary then. The teenage girl in the see thru pink raincoat on roller skates reminds me of something John Galliano would think up.
The evil killer in sunglasses and an earpiece is as weird and terrifying as Javier Bardem in No Country. If you have never seen it, get it on Netflix and if you have ,watch it again. This is beautiful,powerful filmmaking. Awesome.
Matthew is an artist who works in film, video, installations, sculpture and drawing. He is, in my opinion one of the most innovative artists of the 21s century. The film series The Cremaster Cycle is Barney's best-known work. The films had very high budgets by experimental art film standards, and featured such varied celebrities as Norman Mailer, Ursula Andress, and Richard Serra.
In 2006, he released Drawing Restraint 9, a collaboration with his partner Björk, who plays the female of the two central roles in the film, and contributed the music for the soundtrack.
In interviews, Barney has mentioned the phenomenon of hypertrophy
as a metaphorical inspiration for much of his work; several of his
performance pieces have involved Barney restrained or somehow
encumbered while attempting to execute a drawing. The performance
aspects of Barney's work have been described as predominant, while the
resultant drawings have been called "[not] very interesting in their
own right." Some have criticized Drawing Restraint 9 for what has been
termed a superficial treatment of Japanese culture combined with an undesirable awkwardness in the actors/performers, including Barney.[4] A gallery show accompanying the Drawing Restraint 9 project appeared at Gladstone Gallery in New York, April 7-May 13, 2006, featuring thermoplastic sculptures associated with the film and the remains of a private project performed at the gallery April 2, 2006, titled Drawing Restraint 13: The Instrument of Surrender, for which Barney emerged from a crate dressed as General Douglas MacArthur, walked across a platform, and fell into a vat of petroleum jelly. Barney reused his motif of dressing as MacArthur in a show later that year (June 23 through September 17, 2006) at the San Francisco Museum of Modern Art.
That performance involved Barney scaling the museum's atrium to execute
a large sketch of his iconic pill-shaped symbol--another recurring motif
in his work. (source wikipedia)
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