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jaymie

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Schooled in Philly, NYC based. In my free time I investigate the hype and read. I'm into luxury branding, creative development, culture, traveling,meeting people, music, and magazines. I work as visual coordinator for fashion house YSL.
www.jaymiemorales.com

June 2008 Archives

Ann Demeulemeester

For her spring 2009 show in Paris this past week she debuted a collection that started out as her signature look.  Black, poetic, dramatic, and paying tribute to an artist. This year it was the artist/novelist Hermann Hesse that she drew inspiration from.  Her run of show was something that I never saw before- the seniors ran the shows.

The young models opened wearing  black on black and then as the tones started to lighten up the models got older. They got happier. Older men with beards, glasses, weathered skins and smiles on their faces walked down the catwalk.  They trumped the younger boys.  They were even styled better.  More details like necklaces, vests, cuffing and fabrics like suede and linen got stronger as the show progressed.

Maybe this older model thing is something that we should give a heads up too. Naomi Campbell is almost 40 and she looks better than ever. I'll take an old Paul Newman over a tweeny boy model. An air of confidence comes with time making older better.

Below: sad young model boys:
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Below: Happy, older model men
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Inspiration: Hermann Hesse
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"I want to take your picture," was one of the first things Jenna said to me. I was like, nah, I kind of want to take yours.
In a ten minute video we all were huddled around computer screens to see what Stefano had thought of next. In a series of shorts, this collection was something I didn't expect. All editorial pieces, very few commercial looks, yet all really calm, monochromatic, and tonal. There is something kind of elegant about the way Sefano designs his clothes. His proportions are anything but normal or standard and gives the body a look of individuality because it is probably unlike anything you have ever worn before. Maybe it is not for everyone, maybe it is not the type of clothes you would see your man in but the consistency of the brand is being built, and its kind of fun to watch.
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It's all in the details, every time.
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I'm attracted to the lifestyle of this man. So clean, so dapper! He breathes his look everyday. No fake here. Amanda Brooks at Vogue has an eye for creating a story through images so thanks for putting me on. You gotta love the "Happy Hermes" sweatshirt.

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Last Fall there was Gisele.  This Spring there was Kate. Now, well, now there is Naomi.  The badest woman in fashion to rep the badest brand in the biz.  The campaign was shot this past March and hushness about it was intense. Total blackout unless you were there.  It was shot by photographers Ines Van Lamsweerde and Vinoodh Matadin. The photos are all fire.  She isn't wearing the bob from the runway or the black makeup.  Which to me says her presence is just as important as the clothes.  An iconic brand with an iconic model. 

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Saw Alicia Keys last night in NJ.  As usual, Miss. Keys was ten. High Five to my camera for being so outta focus! Sorry, but hopefully, you'll get the picture. Alicis Keys 001.jpg

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I stepped inside Sergio Rossi's closet today. Nothing tells you more about a brand's DNA than the inter-chambers of their offices. All products, all the people that make it happen, and enough shoes to make you go broke. Luckily, the ladies just let me play.

 

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Below, the colored python. Young and sexy.

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Sting Ray skin with matching clutch. Wild.

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"One of the great, but often unmentioned, causes of both happiness and misery is the quality of our environment"- Alain de Botton

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     Above: Long Beach, Long Island.

     Ever since I tried looking for an apartment in Manhattan I became obsessed with cities and the living situations that encompass them.  I would walk into apartments and take a look around and try to hide the expression on my face that probably read, "I rather live at home forever sharing a room with my younger brother and three ferrets than live in this mouse hole."  

    The quality of space is what defines people here in Manhattan or in any other city. You are successful when you don't have to walk 6 blocks to do your laundry.  You are successful when your kitchen and living room aren't the same space.  You are successful when you don't need a roomate to split the bills.  Housing breaks up the people. So what would happen if we had equality living?  What if the quality of space was just as good for the financier living uptown and the artist living downtown?

 I found Alain De Bottom's text at the MOMA store. In my attempt to figure out what makes living a mouse hole "ok" or living in a mansion fabulous he brings the question back to you, "changing the way we think about our homes, our streets, and ourselves."

Below: Tijuana, Mexico

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 *all the photos I have taken in the past couple of years.

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have a drink.

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With more people crowding the cities each day and technology making the changes that accompany them possible, the new cities of tomorrow are alive and happening. With each year that passes cities layers are becoming deeper and more complex.  Can we keep up? Do we have the money to keep up? More importantly are the people ready to make certain changes that are necessary to live in new urban dwellings that don't infringe on living/ environmental standards?
The New York Times Magazine talks about how the cities of tomorrow we see in the movies are slowly becoming reality. With new buildings being made and old ones being knocked down the artifacts that represented the old city are now being layed out by the new. Even if you don't vote, or don't participate in neighborhood meetings, take note about the changes that are happening around you and think. It is the least you can do, right?
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In what felt more like a block party in some abandoned pool in Brazil,M.I.A. performed in Brooklyn this Friday night. The energy was high, the bass made me feel like I was about to have my heart explode and the beers were less than $10.  The venue, Macarren Park Pool, was kind of surreal.  Its unique in the sense that it feels like you are in ruins from the '60's. This is one of her last shows to promote Kala and went out bursting with color. Wish you were there.

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If there were a fight between Marianna Rothen (above) and Agyness Deyn  Marianna would win.  Not only would she win, but she would take all of Deynster's clients with her.  I compare her to Agyness Deyn because, well, she sort of reminds me of her, only much much much more chic.  She is one of those rare model finds and even after working with her for one day I know she's got it. Her style is our Fall '08 look, sans the black lipstick. She wears everything with that boyish charm and kills the finale looks from CRUISE 2009 better than they did in Paris.  Cool haircut, professional attitude, and a appetite ( the girl eats- I saw it with my own eyes, dessert too!) from this moment on, Marianna, its all about you.

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It is with extreme sadness that I am writing this post tonight.

Yves Saint Laurent, one of the last standing great couturiers of all time died in Paris to an unknown illness today.  Saint Laurent started working under Christian Dior at the ripe age of 17.  Shy, modest, and incredibly skilled at line definition and evening wear Christian Dior saw in Saint Laurent a young genius untapped.  Under Dior's wing, Yves built the foundation that would one day be his own house.  In his biographical movie Yves mother tells of a time when Christian Dior pulled her aside after one of his shows and said, "Your son is the only person who can take over this house after I am gone."  Dior died 2 weeks later and at 21 years old Yves Saint Laurent became head designer of one of (if not the) most recognizable fashion label in the world.
 
Saint Laurent's style thrived throughout his career as he pushed the boundaries for how women should be dressed.  Pants suits, sharp tailoring,trench coats, tuxedos, safari jackets, delicious colors, exotic skins.... While Coco Chanel was making little black dresses Saint Laurent was toughening his women up by designing clothes that had the characteristics of menswear, the artsy bohemian style of the left bank in Paris, and a casualness that screamed ease and comfort.  When Valerie Herman the CEO first took office, the French Vogue editor Corrine Rothfield told her in order for her to understand who the Yves Saint Laurent woman is you must know, "the Yves Saint Laurent woman never carries a purse, she always puts her hands in her pocket."

One of his quotes, which is framed right next to my desk, sums up what the Yves Saint Laurent experience is to me and what it always should be.  He said,  "Isn't elegance not knowing what one is wearing." His clothes were easy, uncomplicated, and free of any binding tradition that held women back.
Saint Laurent loved the woman and the woman love Saint Laurent.

Cheers to a man that forever changed fashion.