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KEN GONZALES-DAY
DORIT CYPIS

March 5 - April 2, 2011
Opening Reception: Saturday March 5, 7-10 pm

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Join us Saturday night, March 5 from 7-10 pm for the opening of the solo exhibitions Ken Gonzales-Day: PROFILED (Main Gallery) and Dorit Cypis: A Symmetry (Project Space).

for more info please visit: 
www.lascienegasprojects.org

Las Cienegas Projects is an artist-run project space and gallery focusing on large-scale, collaborative and project-based artworks by a broad range of local, national and international emerging and mid-career artists. LCP was co-founded and is co-directed by Steven Hull and Amy Thoner. The gallery is located 1 1/2 blocks north of I-10 at 2045 South La Cienega Blvd., Los Angeles CA 90034, between Cadillac and Guthrie. PARKING IS AVAILABLE. For further information, please contact Amy Thoner at 213.595.8017

98.jpgRegen Projects II
9016 Santa Monica Boulevard
Los Angeles, CA  90069
Tel. (310) 276-5424
Fax. (310) 276-7430
www.regenprojects.com
 
JOHN BOCK
February 5 - March 5, 2011
Gallery Hours: Tuesday-Saturday, 10:00 am - 6:00 pm
Opening Reception: Saturday, February 5, 6:00 - 8:00 pm

 
Regen Projects is pleased to announce an exhibition of new sculptural objects, drawings, collages, and films by German artist John Bock. The two films depict distinct and related environments in which Bock transforms his idiosyncratic objects through the use of ice and air. The ice-space was created for a lecture at the Julia Stotschek Collection in which spaghetti, a light bulb, pizza, a sneaker, and the artist's sculptural objects, among others were frozen with ice in a laboratory-like setting with Bock presiding in a silver space suit. In the air-space created in the artist's studio, the ice melts from the works and fans are used to transform the ice objects into air objects. Related objects, drawings, and collages will be displayed alongside the films in an artist-designed environment. Also on view is a new metal sculpture that acts as an armature in which various elements and artist-made objects are suspended and embedded.

 
John Bock's work eludes classification. His interdisciplinary fusion of language, theatre, economics, fashion, film, politics, philosophy, music, happening, performance, sculpture, and installation creates a unique artistic vocabulary that expands and challenges the limits of art. His work is a unique blend of fantasy and rationality, subjective reflection and objective visual process, emotional challenge and sensual proposition. Bock's exploration of open structures and the forms that can develop gives rise to a complex oeuvre driven entirely from his own imagination, where no traditional rules or logic seem to apply. Through Bock's lens, the viewer experiences an avalanche of visual impressions in which unexpected spaces, materials, objects, and their combinations reinvents the traditionally static boundaries between artistic disciplines.

 
John Bock's oeuvre seems to be a sort of interdisciplinary network in which work on the installation of material for a particular action triggers off a chain of interlinked and succeeding ideas for the script of a performance, in which the handling of an object gives rise to an idea for the costumes, or in which an objects suggests a text. In other words, we encounter a loop of activities that crystallize into others, a circulation of knowledge that re-nourishes the overall body of his work and locates it in a seemingly boundless space.
(Francisco Javier San Martín. "La Tragicommedia dell'Arte" in John Bock: Nöle, published by CAC Málaga Centro de Arte Contemporáneo de Málaga, Málaga, 2010, p. 136)

 
Bock's work has been the subject of numerous exhibitions throughout Europe and the United States. Recent solo exhibitions include Arko Art Center, Seoul, Korea; REDCAT, Los Angeles; Schirn Kunsthalle Frankfurt, Germany; State Opera, Berlin, Germany; FRAC, Marseille, France; ICA, London; and the Museum of Modern Art, New York. Bock has participated in the Venice Biennial (1999 and 2005), the Lyon Biennial (2005), the Biennale of Sydney (2010), the Carnegie International (2004), Documenta 11 (2002), and the Yokohama Triennale (2001).

 
An opening reception for John Bock will take place on Saturday, February 5, from 6:00 to 8:00 pm. For further information please contact Jennifer Loh, Heather Harmon, or Stacy Bengtson at (310) 276-5424.
 
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photo l.a. XX + artLA projects

 

the 20th ANNUAL INTERNATIONAL LOS ANGELES

PHOTOGRAPHIC ART EXPOSITION & ARTLA PROJECTS

 

LA's Longest Running Art Fair Joins artLA projects

Thursday, January 13, 2011 through Monday, January 17, 2011

 

Opening Reception benefits the

Wallis Annenberg Department of Photography at LACMA

 

Since photo l.a. was created in 1992, more than 300 galleries, private dealers and publishers have exhibited and more than 150 lectures and collecting seminars have been presented. Many significant artists have been introduced to the public during the fair. photo l.a. is honored to have played a significant role in the cultural life of Los Angeles and proud to have been the catalyst for numerous exhibitions, monographs, and acquisitions by major institutional and private collections, both locally and internationally. It has been essential in transforming the art/ photography landscape of Los Angeles by increasing public awareness and acceptance and the inclusion of photo-based art in almost all contemporary galleries and museum exhibitions.

 

photo l.a. XX celebrates its 20th Anniversary as the longest running art fair west of New York and the largest photo- based art fair in the country, drawing over 10,000 attendees. It brings together photography dealers from around the globe, displaying the finest contemporary photography, video and multi-media installations along with masterworks from the 19th century.

 

This is the 48th art fair produced by Stephen Cohen, Director of photo l.a. Its sister fairs include artLA and photo NY.  Previous fairs include:  photo san francisco, photo MIAMI, photo santa fe, and the first vernacular photography fair in New York City.

 

artLA was created in 2004 as a public event bringing together a mix of national and nternational galleries, artists, collectors and curators for a visual dialogue on the current art scene. Its ongoing commitment to presenting the most challenging art being produced today has led to the creation of artLA projects, an ongoing citywide program of dynamic and innovative installations, exhibitions, seminars and conversations with established and cutting- edge artists in all media.

 

photo l.a. XX and the launch of artLA projects, is a prelude to a much larger artLA 2011 that will align with the start of the Getty's Pacific Standard Time Initiative and the Los Angeles Contemporary Art Forum, a new art fair in the fall of 2011 created by the team that produces the Armory Show.

 

 

 

Exhibitor List as of 12/12/2010

 

21st Editions

Abba Fine Art Aperture

Artbook | D.A.P.

JoAnne Artman Gallery

Blind Photographers Guild

John Cleary Gallery

Stephen Cohen Gallery

Contemporary Works /Vintage Works, Ltd.

Corden | Potts Gallery

TS+Projects

Stephen Daiter Gallery

Dawn of Man

dnj Gallery

Eyestorm

Family

fotovision

Gallery 19th / 21st

Gebert Contemporary

Gitterman Gallery

The Halsted Gallery

J.J. Heckenhauer

Pan-View Gallery

Paul M. Hertzman, Inc.

hous projects

The Lapis Press

Light Work

Los Angeles Art Association | Gallery 825

Louis Klaitman

Gallery M

Monroe Gallery of Photography

MR Gallery

Nazraeli Press

El Nopal Press

OFOTO Gallery

Kaycee Olsen Gallery

Martha Otero Gallery

PHAIDON

PHAIDON | STORE

photo-eye Gallery

photokunst

Queensland Centre for Photography

Riflemaker

rosegallery

Russell / Projects

Schaden.com

Select Vernacular Photographs / Norman Kulkin

Skotia Gallery

Barry Singer Gallery

Smith Anderson North

Joel Soroka Gallery

Susan Spiritus Gallery

Robert Tat Gallery

Villa del Arte Galleries

Young Projects


photo l.a. XX + artLA projects

 

20th Anniversary Opening Reception

Benefiting the Wallis Annenberg Photography Department at LACMA

 

Opening Night Tickets           

www.lacma.org/photola            

Charity ID# T1880

 

Tickets

$80 Opening Night

$20 1-Day Pass

$30 4-Day Pass

$80 Collecting Seminar

 

Location

1855 Main Street  Santa Monica, CA 90401

 

Public Fair Hours

Friday                        January 14             11am - 7pm

Saturday            January 15             11am - 7pm

Sunday             January 16             11am - 7pm

Monday            January 17            11am - 6pm

 

Friday, January 14th

9:30am             Collecting Seminar TBA

                        Additional programming TBA

6- 8pm            Review LA Portfolio Viewing*

 

Saturday, January 15th

9:30am            Collecting Seminar with Weston Naef *

10am             Lyle Ashton Harris, Lecture

12pm                        Uta Barth Lecture

2pm                        Michael Light in Conversation with David Ulin

3pm                         The La Brea Matrix, Panel Discussion

5pm                        Zoe Crosher Conversation with Jan Tumlir

 

Sunday, January 16th

9:30am            Collecting Seminar TBA*

11am                        Andrew Moore, Lecture

1pm                        Troubled Waters, Panel Discussion

3pm                         David Taylor, Lecture

5pm                        Carole Thompson, lecture "William Eggleston's Staggering Achievement

 

Monday, January 17th

9:30am            Collecting Seminar TBA*

                        Additional Programming TBA

 

     Lectures and panel discussions are held at the Doubletree Guest Suites,1707 4th Street,

     Santa Monica 90405, located across the street from the Santa Monica Civic Auditorium.

 

*   Collecting Seminars will take place at the Santa Monica Civic Auditorium

** For information on Review LA, contact: CENTER at 505.984.8353 or www.visitcenter.org

 

Additional programming TBA. For the latest information, please contact 323.937.5525

or visit photola.com, artla.net, twitter@photoLAfair, twitter@artLAfair

 

Press Contact: Jeannine Schechter Jacobi 310.857.6994     jeannine@freshpr.net

 

Thank you to our Partners and Sponsors for their generous support.

 

Absolut • Adobe • Angelini Osteria • Aperture • Arte Al Limite • Art Ltd. • Art Nexus • Art Now • Artfacts.net  • Artillery • Artlog • Art Scene • The Art Street Journal • Barefoot • Behance • bld • Create:Fixate • Consulate General of the Federal Republic of Germany • Cube • Dear Dave • The Equation • Flak Photo • Fraction Magazine • Gawker Artists • Goethe-Institut Los Angeles • It's Liquid •  LA Canvas • LatinArt.com •  Lucie Foundation • The MAK Center for Art & Architecture • Manfred Heiting • The New York Times • photography-now • Silvershotz • Turon Travel • Unique and Rare • Visual Art Source • Vita Coco

Party time in Wynwood for Art Basel.   All images by Cara Bloch.9_CBloch_Basel_2010_4142.jpg7_CBloch_Basel_2010_4139.jpg8_CBloch_Basel_2010_4315.jpg5_CBloch_Basel_2010_4021.jpg13_CBloch_Basel_2010_4158.jpg

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Published: December 14, 2010

LIKE any Frenchman worth his fleur de sel, the new Pierre Hardy boutique immediately poses challenging questions.
Enlarge This Image

Kirsten Luce for The New York Times

Like, where is it?
Monsieur Hardy, an intriguing artist on several fronts, came to shoes after scholarly forays into fashion illustration, dance and scenography. In the store literature, he proclaims that he eschews nostalgia and history, preferring to find inspirations for his futuristic footwear through design and conceptual art.
In an architectural sense, the shop is so understated as to be virtually invisible: a wall of dark topaz glass is inset several feet from the sidewalk, with no identifying markings. This is the kind of cold, tinted slickness generally preferred by military contractors around Arlington, Va. At first glance, the shop might be the front office for an international weaponry brokerage, an illegal plastic surgery cult or perhaps an entertainment law office-slash-sex dungeon. The (presumed intentional) effect is to cause the shopper to question her own validity. Should she potentially corrupt the space inhabited by these rarefied shoes by insinuating herself into it, or should she should let all her credit cards slide from her fingers into the middle of West Fourth Street, lie down on them and succumb to a coma of existential ambivalence?
M. Hardy's aesthetics of disinvitation are reaffirmed by the fact that there does not appear to be an actual door. Getting inside requires more than galvanizing a certainty of one's metaphysical being; the determined shopper is forced to hurl her full body weight across panels of amber glass until a secret hinge eventually yields, allowing her to stumble inside, stripped of pride and balance. It is a somewhat Masonic experience; you realize that there were no witnesses to your fall from grace because everyone who works there seems to be somewhere in the back, and it's really dark in there (and therefore grace arguably never hath left you).
The floors are black leather strips cut and arranged to resemble wood planks; the benches are black powder-coated industrial I-beams. Gray shoebox-size cubes appear to have crystallized like raw lithium formations in corners of the space. This is where constellations of M. Hardy's signature items are displayed: unisex suede desert boots ($490) and high-top sneakers with Velcro ankle straps, in kicky flavors like heathery flannel, charcoal patent leather, gold lamé ($520).
The staff, once inspired to participate, is particularly lovely and laid-back in that casually hospitable, elegant French way -- no fussiness or pretense, and a rather effortless way of dealing with customers.
At one point, I heard thumping and fluttering and looked toward the street, thinking that perhaps a rash of adolescent doves had performed a group suicide against the window. But no. An incognito Andy Samberg and a comely model-slash-actress seemed to be leaving mime handprints all over the glass, apparently having the same problem I had with the Zen koan of the doorless door. We watched in silence until they passed the initiation and lurched inside.
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HANNE DARBOVEN: WUNSCHKONZERT
December 15, 2010 - January 29, 2011
Gallery Hours: Tuesday-Saturday, 10:00 am - 6:00 pm
Opening Reception: Wednesday, December 15, 5:00 - 7:00 pm

Regen Projects is pleased to announce an exhibition of the work Wunschkonzert (1984) by Hanne Darboven. Originally shown in Documenta 11 (2002) as a collection of loose pages in folders, this monumental piece consists of 1008 pages of uniform size divided into 4 Opus's (Opus 17a and b and Opus 18a and b). Each Opus is comprised of 36 poems, and each poem is made of 6 pages plus a title page on which an antiquarian greeting card celebrating a Christian confirmation has been collaged. The poems reveal a rhythmic movement in their increasing and decreasing rows of numbers, and the checksum values are represented in digits and line-notations (17a, 18a) or by digits entered into a grid (17b, 18b). This work adopts musical methods of movement and repetitive rhythms and was conceived against the backdrop of musical compositions by the artist. Darboven briefly pursued a career as a pianist and evidence of her interest in music can be found in the form and structure of many of her works which have musical connotations. Several of her pieces have been translated into musical scores that have been performed. The title of the work refers to the Sunday afternoon musical request program of the German Norddeutscher Rundfunk radio station where felicitations were often broadcast.

Time formed the foundation for Hanne Darboven's conceptual artistic practice. Her installations, whether intimate in scale or filling an entire exhibition space, created architectures of time. Much of Darboven's work originates from personally derived numerical sequences based on the four to six digits used to notate the date, month, and year of the standard Gregorian calendar. The calendar sequence has consistently formed the basis for the majority of her installations, and offers a system to represent both the continuous flux of life and a clear, all embracing order. Through the actual writing of her numeric constructions or their graphic translation (u-shapes, wavy lines, grids, boxes, and line notations), Darboven personally relates to time, endows it with a concrete form, brings it into experience.

"Thus what seems at first to be an art-theoretical paradox - the association of serial principles with
the uniqueness of the subjective statement - leads to a new quality in the artistic description of
reality: time as 'writing time' and space as a geometric quantity no longer function illusionistically or
as a narrative, but rather as autonomous, serial structures. Art is no longer the illustration of reality,
but rather its equivalent."
(Joachim Kaak, "Hanne Darboven, 7 Tafeln, II, 1972/73" in Hanne Darboven/John Cage: A Dialogue of Artworks, published by Hatje Cantz Publishers, Ostfildern-Ruit, 2000, p. 26)

In Benjamin Buchloh's essay "Conceptual Art 1962-1969: From the Aesthetics of Administration to the Critique of Institutions" in October 55 (Winter 1990) he placed Darboven in the following context:

"[R]andom sampling and aleatory choice from an infinity of possible objects (Ruscha's Twenty-Six Gas Stations, Warhol's Thirteen Most Wanted Men) would soon become essential strategies of the aesthetic of Conceptual Art: one thinks of Alighiero Boetti's The Thousand Longest Rivers, of Robert Barry's One Billion Dots, of On Kawara's One Million Years.... Or again, there are works by Stanley Brouwn or Hanne Darboven where in each case an arbitrary, abstract principle of pure quantification replaces traditional principles of pictorial or sculptural organization and/or compositional relational order."

Hanne Darboven was born in 1941 in Munich, Germany and died in 2009 in Hamburg, Germany. She exhibited in numerous national and international exhibitions including "Live in Your Head: When Attitudes Become Form: Works-Concepts-Processes-Situations-Information" at the Kunsthalle Bern (1969); Documenta 5 (1972), Documenta 6 (1977), Documenta 7 (1982), and Documenta 11 (2002) in Kassel; "Reconsidering the Object of Art: 1965-1975" at the Museum of Contemporary Art, Los Angeles (1995-96); and "Hanne Darboven, Bücher 1966-2002" at the Westfälisches Landesmuseum, Münster (2002). Her work is included in a number of international collections including the Schaulager, Basel; Centre Georges Pompidou, Paris; the Solomon R. Guggenheim Museum, New York; and the Museum of Modern Art, New York.


An opening reception will take place on Wednesday, December 15, from 5:00 to 7:00 pm. For further information please contact Jennifer Loh, Heather Harmon, or Stacy Bengtson at (310) 276-5424.



REGEN PROJECTS II
9016 Santa Monica Boulevard
(at Almont Drive)

REGEN PROJECTS
633 N. Almont Dr.
Los Angeles, CA 90069
t  310 276 5424 f 310 276 7451
www.regenprojects.com


is11_feature_2_v1.jpgIt's white hot this week in the Magic City of Miami, where the world's most influential art fairs, galleries, curators, buyers, collectors, artists and enthusiasts have gathered. We're heating it up at SCOPE, the premier showcase for emerging contemporary art, which opens to the public today so be sure to check out our featured artists at the exclusive Artists Wanted booth! You are also invited to join us at the highly anticipated SCOPE Miami party (hosted by Artists Wanted). Hope to see you there!
    
   
SCOPE Miami Party Hosted by Artists Wanted
You are invited to the Artists Wanted + SCOPE Miami Party. You know the moment. It's the one that stays with you long after it happens. It comes at events with a rare balance of artistry, intrigue and a feverish excitement born from the unexpected. Featuring select talent from Miami and New York City including Afrobeta, Ess & Emm, Danny Daze, Dhundee, Mike Deuce, DJ Healer and Gamelatron. This moment is brought to you by Artists Wanted and Flavorpill Miami, Thursday December 2nd, 7pm - 5am

fountainpic.jpg NO AGE, SHEPARD FAIREY, G. LOVE, NINJASONIK, and more to perform at FOUNTAIN MIAMI 2010

Art sensory overload in effect as highly anticipated live music performances at Fountain Miami are announced!


Dates: December 2nd-5th, 2010
Location: 2505 N. Miami Ave at the corner of 25th St., Miami, FL


November 22, 2010 (New York, NY) Fountain Art Fair, the installation-based exhibition of avant-garde galleries and art collectives, returns for its 5th year during the Art Basel weekend in Miami.  Fountain Art Fair has earned its reputation as the go-to venue for discovering innovative art while enjoying live music entertainment and performance art during the Art Basel weekend.
 
In celebration of Fountain's dedication to various forms of art, a showcase of live musical performances will be held on the front lawn. Performances will include indie noise rock band NO AGE, G. LOVE of G. Love and the Special Sauce, NINJASONIK, DJ Lauren Flax, DJ Kimyon, and a special DJ performance by SHEPARD FAIREY.  Located at 2505 N. Miami Ave at the corner of 25th St., Fountain Art Fair will be open everyday to the public at 11am and will remain open on Friday and Saturday nights until 12am for special live performances. Open Bar courtesy of Rums of Puerto Rico and Famosa Beer.

Fountain Miami 2010 exhibitors include Christina Ray , Front Room, Steven Gagnon, Leo Kesting, McCaig-Welles, Bego Art Project, Causey Contemporary,  Jeanine Taylor Art Gallery,  Cherie Dacko, Evo Love, Allison Berkoy, Greg Haberny, Philip Simmons, We-Are-Familia, The Murder Lounge, No Agenda Collective, Thaddeus Kwiat Projects, Wet Heat Project, Alice Chilton Gallery, Tinca Art, Francesca Arcilesi Fine Art, Susan Radau, Lindsey Brooke Wilner, and highly anticipated immersive video art projects presented by DCKT Contemporary.  As logistical partners to the art fair, international art handlers Hedley's Inc. will assist galleries in producing their large-scale installations.

Grace Exhibition Space, in conjunction with the Alice Chilton Gallery, will have 10 artists from around the world performing during the weekend's evening events. Caveman robots and the full scale destruction of a car will be primary artist performances.  Artists will include Adina and Ariel Bier, Erik Hokanson, Jason Bell and the Estonian Art Group Non Grata,Sarah Troche, Quinn Dukes Marni Kotak, Kikuko Tanaka and Hiroshi Shafer.

Visitors entering the front lawn of the Fountain Art Fair space will be blown away with a 125 foot long street art installation by Chris Stain, Dick Chicken, Gaia and Know Hope.  Additional street artists will be announced shortly.
 
This year the Fountain Art Fair's exhilarating line up of events is supported by the Miami New Times, alongside other sponsoring partners including 90.5 WVUM FM, Juxtapoz Magazine, FILTER Magazine, Gawker Artists, YELP, PKG Graphics, and Downing Frames. The VIP/Press Preview on Thursday, 12/02, will be hydrated by Brooklyn Brewery, while complimentary drinks for the remainder of the weekend will be provided by Rums of Puerto Rico, Famosa Beer, and Blu Energy Drink. Smartwater will be hydrating the galleries and artists throughout the entire weekend and Tropical Tacos will be serving up tastey gourmet mexican food to the general public.

December 2nd-5th, 2010
2505 N. Miami Ave at the corner of 25th St., Miami, FL
Entry fee: $10

SCHEDULE OF EVENTS:

Thursday, December 02
11am - 6pm: VIP/Press Preview
                    Open to the Public
                  
Friday, December 03
11am - Midnight: Open to the Public
7pm - Midnight: Reception for the Artist

Performances by:
DJ Kimyon
Supporting Band (TBA)

DJ Lauren Flax
NO AGE

Saturday, December 04
11am- Midnight: Open to the Public
7pm -  Midnight: Miami New Times Event

Performances by:
DJ Lauren (WVUM 90.5)
Celine and the Hellbillies
Ninjasonik Live
G. LOVE of G. Love and the Special Sauce
*Special Music Performance by Shepard Fairey

Sunday, December 05
11am- 7pm: Open to the Public
4pm - 7pm: Live Silk Screening Closing Event, DJ (TBA)




The Fountain experience is enhanced this year with a completely redesigned website and extensive new media features at http://fountainexhibit.com . The site includes video and photo documentation of past events along with social media tools for real-time coverage. Follow @fountainartfair on Twitter for the latest news.

Exhibitor applications are closed for Miami 2010. Galleries and art collectives may visit the website to apply for the  Fountain New York 2011 application online.
                                
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Hope you can come to opening in Miami on Thursday night!  After party hosted by Charlotte Ronson at Mondrian...


THIS TIME IN AMERICA : PART 1


Curators: Giselle de Vera & Brenda Ann Kenneally


Juliana Beasley 
Nina Berman
Sean Hemmerle
Tim Hetherington 
Brenda Ann Kenneally
Gillian Laub
Randal Levenson
Emily Schiffer

Opening reception with the artists: Thursday 12/2/10
Wynwood Gallery Night: Saturday 12/4/10
the island
flagler memorial island
friday, december 3, 4-8pm
art basel miami 2010
theisland.jpg
bozidar brazda, stefan brüggemann, scott campbell, brody condon, naomi fisher,
michael genovese, luis gispert, adler guerrier, terence koh, kate levant & michael e. smith,
hanna liden, justin lowe, kori newkirk, jack pierson, marina rosenfeld, and rona yefman

organized by shamim m. momin (land) and aaron bondaroff/al moran (ohwow)

rsvp to rsvp-theisland@nomadicdivision.org
your departure location will be revealed upon confirmation of rsvp